DIT PROJECTS
These are some projects where I was the Digital Imaging Technician/Data Wrangler. I additionally assisted with Dailies, Media Management, and was an Assistant Editor for these projects.
UNTITLED BAND PROJECT PILOT EPISODE
Oct. 20th-Nov. 11th, 2022
During my time at Lighthouse Films, I worked on the Jonas Pate's Untitled Band Project's Pilot Episode as a DIT and 2nd Assistant Editor. Over four weeks of principal photography, I ingested 86.68 TB of RAW footage from seven camera sources using ShotPut Pro and Parashoot to LTO tapes and multiple RAID 5 enterprise level hard drives.
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From that large amount of media, I organized, categorized, added a LUT/minor color adjustments, and synced 109 hours and 4 minutes of footage in DaVinci Resolve. From there, I made transcodes and screeners with the according Scene, Take, Camera Source, Script Notes, and Timecode for the Lead Assistant Editor. I then uploaded the dailies for each production day to frame.io.
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Following that, I then assisted in the preparation to send the transcoded media to the Lead Assistant Editor within the Avid Media Composer workflow where I grouped scenes and uploaded the transferred this media by using an Avid NEXIS to the editors working in Los Angeles.
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ACROSS THE MULTIVERSE SHORT FILM
March, 2023
For this short independent film, I worked as the DIT, Dailies Technician, and Assistant Editor. This production shot over 2 days where I ingested media to double redundancy drives from a Sony FX6 that shot in XAVC-L 4K SLog 3.
This film was shot with anamorphic lenses, but due to the FX6 camera's settings, it does not internally de-squeeze the footage. Within DaVinci Resolve, I re-formatted the footage to its correct aspect ratio and made transcodes of the media; where I then organized, categorized, added a LUT, and manually synced audio due to the audio recorder they used on set.
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From there, I organized the media and production audio within an Adobe Premiere Pro Project. I also created stringout sequences per scene for the Lead Editor before they received the footage so they could start immediately on the film's edit. Lastly, I grabbed multiple still frames from the film's dailies so that they could be shared and utilized within the marketing of this film.
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